
THE QUESTORS
ARCHIVE |
INDEX
Plays
A-C, D-F, G-J, K-M,
N-Q, R-T, U-Z
Authors
A-B, C-D, E-H, I-L, M-O,
P-R, S, T-Z
Chronological List
1929-1939, 1940-1949
1950-1959, 1960-1969
1970-1979, 1980-1989
1990-1999, 2000-
New Plays
Student Shows
Youth Theatre
Minack
Golden moments
In fond memory
History
Quick guide |
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THE QUESTORS THEATRE
12 Mattock Lane,Ealing,
London W5 5BQ
Tel: 020 8567 0011
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Registered in England and Wales No 469253
Registered charity No 207516
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PROGRAMME NOTE |
One of the difficulties with Beckett's drama, whether you're reading it, seeing it performed or actually performing it, is finding an appropriate way to respond to his imagery and view of the world. If you approach a Beckett play in the way you would a "normal" play, you won't get very far. One area of difficulty for us in modern Western society is a tendency to react to Art in a wholly intellectual way - we want to know what it means and an art like Beckett's (which consists largely of visual and verbal poetry) defies this approach. Maybe the best way to appreciate the plays you're seeing this evening is just to open yourself emotionally to the experience without letting questions like "what?" and "why?" get in the way.
Beckett's "meaning" often lies in the form of the work as much as in the content. For instance, NOT I is about a human being whose disorientation from life expresses itself in a stream of words spewed out at tremendous speed. If you can't follow everything that's being said, try and listen to the sounds that are being made, take in the visual image and be aware of the emotional effect this has on you.
It seems to me that Samuel Beckett's work is often perceived to be highly intellectual and you, therefore, have to be something of an academic to understand or appreciate it. While the rigour of Beckett's intellect can't be denied, this is, in a way, the opposite of the truth. I believe Beckett was a highly compassionate and understanding man and his works should be responded to on an emotional level - one human being (you, the spectator) connecting with other human beings (Beckett's "characters") who are suffering from the same basic human predicaments.
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| Return to Four Short Beckett Plays (2000) |
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